Hanging out with dead men
A couple of weeks ago we visited the grave of Francois Truffaut. A stylish grave for a stylish man. Just a flat, black headstone, with his name and span of existence. No fanfare. No angels trumpeting his successes. There were some flowers and a note from a fan, but none of the hullabaloo you find around other celebrity graves in
The simplicity of Truffaut's headstone contrasted with the whopping bust of Karl Marx towering over his grave in Highgate cemetery in
My favourite dead men are buried all over the world. As I mentioned in my previous post, all the novels in my top ten (which doesn't contain ten novels) are by dead men - although admittedly William Styron is just freshly deceased:
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Of course there are many other novels I’ve loved in my life, but for the moment, no other novel has shaken enough skin off me to add to my top ten. [This little exercise in cutting and pasting book covers has reminded me exactly how much I prefer the plain French editions to the covers of books in the English-speaking world which make every book look cheap and nasty].
When all your favourite novelists are dead you lose all hope of having the opportunity to exchange ideas with them [or of them publishing another novel]. Back in
And then...a beetle of hope. I saw that Martin Amis was going to be speaking in
Maybe I should just give the guy a break, do him a favour, put one of his books in my top ten. After all, sometimes when I duck down the road to the local epicerie to buy milk I haven’t put on my social face and I can’t construct a sentence. Squeak replaces speak. But geez Martin, you weren’t going out to buy a kipper and a lager down at the local minimart, you were showing up to talk about your book. Couldn’t you have at least been charismatic, a little less drab, maybe even a little taller, a lot funnier and more overtly intelligent?
Living authors can be so disappointing. I imagine living readers probably are as well.
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